Well! I’d expected to be back here on the blog sooner, sorry–the girls went back to school, we all got sick, and I’m working my butt off. (Also, I’m allowing myself one hour three days a week to play through the Batman Arkham games on the PS3; I’ve finished Origins and am now halfway through Arkham City. I think City is a little more fun so far, but Origins has more fun things to do. Except for the Bird side mission, because that glitched for me and I never got to finish it grrr. I really wanted the damn “Disarm and Destroy” skill! Anyway.)
I have a couple of review for MADE FOR SIN that I didn’t blog before! First, a really lovely one from B&N:
Stacia Kane has a knack for writing damaged characters. …Kane draws her Vegas with all the casual depravity the city is infamous for, with aging Mafiosi, pick pockets, safe-crackers, fences, compromised cops, chorus girls, and thieves rounding out the cast…. I love Kane’s characters: they manifest a deep and riveting moral ambivalence, acted out in dark and magical worlds.
(It’s actually quite hard to pick an individual quote or two from that review, but the full thing is definitely worth a read.)
If you like urban suspense with a twist, this book has it in spades. And while it might start off slow and gentle, it silently crawls under your skin and haunts your dreams. I know I’ll be thinking about it.
From All About Romance:
…the chemistry between Ardeth and Speare worked for me. They circle one another suspiciously, come to reluctant truces, and move from begrudging respect to sexually charged friendship in scenes that had me not wanting to put down my reader. This book has elements of romance to it, but it’s definitely more urban fantasy than traditional HEA romance and as with many an urban fantasy series, the ending of Made for Sin leaves things rather open-ended – and left this reader wanting to read the next book in the series right away.
And speaking of my books etc….
I imagine many of you have already heard about the closure of Ellora’s Cave Publishing.
When I started writing seriously in 2005/2006, EC was the biggest name out there in erotic romance. Everyone wanted to be an EC author; it was a goal of mine, and I’ll never forget the day I got that acceptance email from them. I was thrilled.
I know a lot of authors did not have a great experience with/at EC. I’ve heard (a few of) their stories. I know many people felt honestly cheated and betrayed by them, and those stories, those feelings, are valid; their experience was their experience, and just because mine was different doesn’t mean theirs was or is untrue. It’s the nature of publishing, to some degree, that different writers can have wildly different experiences with the same publisher. While I honestly saw/heard nothing that led me to believe EC was being malicious or deliberately mistreating authors, again, that does NOT mean that A) it didn’t happen; and B) that those authors are wrong to feel that they were maliciously or deliberately mistreated. In other words, if there are authors out there telling stories about their ill treatment at the hands of EC, I believe them–I absolutely do–and I’m not at all saying they’re lying or exaggerating.
However. That was not my experience. Not at all, not remotely. My time at EC was–truly!–nothing but pleasurable, professional, and fun. One of the first “I loved your book!” emails I got for UNHOLY GHOSTS came from Raelene Gorlinsky, EC’s publisher, and that was very typical of the way I was always spoken to and treated by everyone at EC. I always felt valued. I always felt professionally treated and like I mattered. EC went out of its way (seriously, out of its way) more than once for me, and I was and am grateful for it. I stopped actively writing for EC because I’d moved in a new direction with my work and didn’t have the time (or the option clauses) that would allow it, but that is the only reason I stopped. I made good money at EC. I loved being, and was proud to be, one of their authors–I always will be proud to have been one of their authors.
Again, I’m not saying others didn’t have different experiences, or that their experiences didn’t or don’t matter or aren’t valid. For them this news is either a sigh of relief or a moment of bitter pleasure, and I understand that, and am happy for them. But for me, EC was a great place. It was a house I loved working with and writing for, and I’m genuinely very sad to see it close down. I wish all of my former EC associates, from writers to cover artists to layout designers to editors (my editor Brianna St. James was, IMO, the best editor at EC, and I adore her and adored working with her) to management the very, very best in future.
However, their closure does mean that the rights to all of my EC books revert to me. For a while I’ve been toying with the idea of getting them all together, re-editing them (mostly to remove stylistic quirks put in place due to EC’s rather specific house style, which I admit to never being a huge fan of), and releasing them all–except, of course, for the two I co-wrote with the always-awesome Anna J. Evans–in one big omnibus edition, for a couple of bucks. That would be:
BLOOD WILL TELL
THE EIGHTH WAND
ACCUSTOMED TO HIS FANGS
DAY OF THE DEAD
DAY OF THE DEAD was a novella (which I loved; it was written as a Halloween story [if the title didn’t give that away] and has a big hot-sex-in-a-graveyard scene, heh), but the others are all full-length novels; BLACK DRAGON is my medieval romance, which isn’t erotic per se but still has explicit sex scenes in it, of course, and, in addition to being only the second book I ever wrote, was my attempt to write an old-school-type of romance (so the voice is a little different). I actually re-read BLACK DRAGON recently; I was trying to remember a specific thing in it, so opened up the file and began perusing, and ended up going back to re-read the whole thing start to finish. That was pretty fun–I’ve always had a real soft spot for that book and its characters anyway–and I was pleased to see that, despite the many things about it I would probably do/write differently now, a dozen years or so after I wrote it, I still think it was a pretty good book.
Anyway. The point is, I’ve been considering compiling all those together and releasing them myself, and this is an opportunity to do so. The only hesitation I have, really, is wondering if that’s even something you guys would be interested in. All of the books (except BLACK DRAGON) are paranormals, and BLOOD WILL TELL has lots of action in it (and not just in a that’s-what-she-said kind of way but genuine fighting and car chases and such), but they’re still romance, not UF. ACCUSTOMED TO HIS FANGS is a MY FAIR LADY spoof, even, which has what I still consider to be one of the funniest lines I’ve ever written (my vampire hero, who’s been in hibernation for a hundred years or so, is making toast; he muses to himself that sliced bread is “in his opinion, the greatest invention since the seed drill.” Yeah, maybe it doesn’t sound as funny written out here like that, but I giggled like a loon when I wrote it, and I still giggle at it now). Point is (again) the book is written as a comedy and is supposed to be at least amusing. So none of these books are what you would typically think of when you think of me/my work.
The other hesitation, of course, is if it’s worth doing simply because if you’re interested in my erotic romances, you’ve probably already read them.
So, what do you guys think? Is an omnibus like that something you’d be interested in? Something you’d pay three or four bucks for? Let me know. It wouldn’t take a long time to put together, really, so doing it wouldn’t take me away from any of the other projects I’m working on (aside from Downside [both Book 6 and the second Terrible-POV story], I’m finishing edits on a gothic that my agent and I are both excited about, and toying with an idea for a sort of episodic story, and working on a sexy early-twentysomething [is “New Adult” still a term?] paranormal adventure romance, and considering some options for the dystopian YA whose concept–and thus its chances–that show “Penny Dreadful” completely shat upon, sigh) so that’s not really a concern. It’s more just curiosity/uncertainty if it would sell enough copies to be worth the effort at all.
Soooo…that’s it for today, I guess. I have lots of other stuff to blog about in the coming weeks, but for the moment we’ll end it there.
Goodbye, EC, and thanks for the memories.
Note: Since I wrote this post, I learned some things that, having been away from the romance/erorom genre for seven years, and having deliberately distanced myself from online drama for the sake of my fucking sanity, I was not aware of. Please see my follow-up post here.